Butterscotch on America’s Got Talent
I found this website that seems to be acting like they are Butterscotch’s website. I don’t think that it could be. Too many things that just don’t look right. I suggest not even looking at it since they can’t format it right in Firefox.
I will say that Butterscotch was completely unforgettable on America’s Got Talent tonight. She has an amazing talent to be able to sing and “play” the instruments at the same time. How can Butterscotch sing so beautifully and do a drum beat with her mouth. That’s something else. Well, that crappy website I listed above put this biography about Butterscotch. Not sure if this is really Butterscotch’s biography, but I assume they must have taken it from somewhere else.
Butterscotch grew up listening to Beethoven, Mozart and Chopin and was trained as a classical pianist. Now an 18 year-old graduate of Natomas Charter School of Performing and Fine Arts Academy, she creates and surrounds herself with all different genres of music. A musician since the age of five, she is proficient on instruments such as the piano, flute, saxophone, bass, guitar, and just recently started beat-boxing.
Butterscotch has participated in the Modern Young Artist Recital at CSUS, and she also attended the California State Summer School for the Arts. She was also part of the creation of the opening theme for the 2003 Jammies at the Mondavi Center. Butterscotch this year was part of “No Bands Land” at Natomas Charter School. She has been writing songs for two years now, and one of her songs “Endless Night” was featured on the school CD (Equal). Butterscotch is again included on this year’s school CD (Electric), with two songs.
Butterscotches first love is music, but she also participates in many areas of the arts. This year she starred in her school’s production of the Glass Menagerie, as Amanda Wingfield (the mother). She loves to draw sketches, take photographs and make short films. She plans to major in music next year at Sac State and wants to minor in theatre or history.
